
A car rental with a good fleet, a template website and a feed of phone snapshots. The job: a new site and a campaign set that make the company look as good as its cars, without a single shoot day.
A rental sells the road, not the car park, so every frame puts the car in a place the guest wants to be: the hotel door at dusk, the coast road, the harbour at seven. Low sun, warm stone, the sea behind. Every car shown exactly as it is, badges included.
One visual code holds the whole set: frames in three distances, a vertical film with live sound, a feed laid out as the profile will look, and a website in the same code, so the brand reads the same on the site and in the feed.

















Guests do not book a car, they book the drive: the hotel door at dusk, the coast road, the harbour at seven. So every frame starts from a place a guest wants to be, and the car arrives into it.
Low sun, warm stone, the sea behind. Fixed before the first frame, so six cars in six places still read as one afternoon and one company.
Wide
Detail
ContextThe wide frame sells the place, the detail sells the car, the arrival sells the feeling. The same three distances for every model, so the feed has a rhythm.
Five screens in the same code as the frames: the fleet, how it works, the routes, the request. The words answer the renter’s questions, why this company and how fast the car is at the door, not the designer’s.
A small fleet that reads as one company, from the feed to the booking request.
Example project. Riviera Drive is an invented company; the car makers were not involved.
Send a link to your current site or feed, and say what you sell. Every message gets a personal answer.